The Cosmopolitan of Las Vegas, in partnership with Art Production Fund, is pleased to announce P3Studio artists-in-residence Kate Gilmore and Franklin Evans. Through their interactive project, “Shelf Life,” Gilmore and Evans will use the activity of shared art making to explore Las Vegas. By juxtaposing the absurd with the logical, the project’s collection of curated and transformed material objects will reflect the principles that underlie the artists’ broader portfolios.
Octogenarian painter Wolf Kahn—who was among the second generation of the New York School artists—continues to paint every day. Ameringer | McEnery | Yohe celebrates his recent work with a solo exhibition, featuring the luminous scenes of barns, rivers, meadows, and wooded New England landscapes for which the much-lauded artist is known.
ART IN AMERICA Artists working in 50 states + Puerto Rico Curated by Julie Torres Featured in Tiger Strikes Asteroid’s Artist-Run at The Satellite Show Miami December 1-6, 2015
Image:
Todd Hebert Hoop with Iceberg, 2014 Acrylic and pastel on paper 10 x 7 inches
Please join us for the opening reception of Los Angeles-based media artist Tam Van Tran's solo exhibition, Aikido Dream. There will be an artist talk with Tam Van Tran and Michael DeLucia on Saturday, November 14, 2015 at 6 pm.
Stephen Dean in ARQUITECTURAS Y ESPACIOS EN LA COLECCIÓN RAC at the Centro Cibeles in Madrid which runs through 22 December 2015.
Simple reality seamlessly blends with beautiful imagination.
Julio Larraz describes the vivid images that he paints as visions that come to him as dreams he sees during the day. These images may come on and off over the years, though some, Larraz reveals, “are recent ones, other are long-time friends. There is a mixture of it. I don’t like to do theme works. I prefer to take something and see it from fresh eyes, rather than see it forever.”
The artist on daydreams, storytelling, and his "pretexts to paint"
On the eve of his recent gallery opening in Chelsea, Julio Larraz met with Cuban Art News publisher Howard Farber for a second, wide-ranging conversation following their earlier interview. On the agenda: art, collecting, sources of inspiration, and the “imaginative, powerful, awe-inspiring” work of contemporary Cuban artists.
You could say that L.A. artist David Allan Peters has an affinity for rules — though it's hardly apparent when first viewing his work.
Beginning in November, 2015, Museum of Contemporary Art Santa Barbara (MCASB) presents a solo exhibition of Los Angeles-based mixed media artist Tam Van Tran.
The latest iteration of Bloom Projects, which will go on view the same day, debuts a newly commissioned site-specific installation by Brooklyn-based artist Michael DeLucia, whose work addresses the condition of sculpture and spatial relationships in the technological age.
An opening reception for both exhibits will be held from 6–8 p.m. Saturday, Nov. 14, 2015. They will be on view from Nov. 15, 2015 to Feb. 21, 2016.
Shila Khatami (b. 1976) is a visual artist who studied at the Fine Arts Akademie of Munchen and the Fine Arts Akademie of Dusseldorf, where she graduated in 2004.
Monique van Genderen to partipate in four artist show, Stray Edge, at Guggenheim Gallery, Chapman University.
Smartly dressed gallerygoers spilled out of brightly lit spaces all in a row Thursday, on what seemed like an evening of openings. Past a whiff of wine from the makeshift bar flanking the entrance to Ameringer McEnery Yohe, a loud din filled the warm room, ceasing for a moment only when a glass shattered on the floor. The lively reception celebrated the opening of Julio Larraz’s first solo show with the gallery since he joined in 2014.
Julio Larraz may not have started an actual salmon club like his mother suggested, but he did become and continues to be an essential and illustrious figure in the art world. The work of Larraz belongs in no recognized genre. His paintings, all saturated with striking colors and sharp light reveal a world of metaphor and pre-meditated dreams inspired by Julio's past, present days and his small, poetic daily observations.
Preparing for his new solo show in New York, the artist talked withCuban Art News publisher Howard Farber.
Tonight, Julio Larraz opens his first solo exhibition at the Chelsea gallery Ameringer McEnery Yohe. In a conversation with Cuban Art News publisher Howard Farber, he spoke about his art, his influences, and what he’d like viewers to take away from their encounter with his images.
In diplomatic circles, the thaw in Cuba-U.S. relations may be happening mostly behind the scenes. But the same cannot be said for the art world. The past few months have seen several major gallery shows of contemporary Cuban and Cuban-American artists—and nowhere more than New York City, where no fewer than seven solo and group shows will be on view this month. Here’s a quick guide to where to find Cuban contemporary art in Chelsea in October.
The jungle is a magical one, dense with dangling vines and voluminous blossoms awash in green and gold glitter. The foliage sways in the breeze, casting glimmering shadows that dance on a nearby wall to the chorus of crickets chirping, leaves rustling and crows cawing.
Stephen Dean to participate in a group exhibition, The Museum Imagined, curated by Lilly Wei at Danese Corey, New York, NY.
LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium. Their art comprises two- dimensional cut-outs and collages; free-standing sculptures; and large-scale installations that engage the architecture of the museum’s gallery space. Many of the works are created newly for this presentation. Paperworks, organized for the Craft & Folk Art Museum by independent curator Howard N. Fox, is on view from September 27, 2015 through January 3, 2016. An illustrated catalogue including texts on each artist will accompany the exhibition.
Iva Gueorguieva's paintings are tighter than ever -- and just as loose as they have always been.
Gueorguieva collages, dyes, draws and paints fervently across every inch of each canvas or cardboard surface, playing every instrument in the orchestra and acting as the conductor as well. Her new work at ACME is riveting.
Paraphrasing Dave Hickey, who wrote a great essay that accompanies Michael Reafsnyder's latest catalog for his solo show at Ameringer, McEnery and Yohe, Michael is considered a radical, not so much because of how we look at his paintings, but more because he is concerned with how we look at paintings in general. He is a radical who for many years has revived Abstract Expressionism painterly traditions, in his own way.
Spreadsheetspace is a new installation by Franklin Evans using the grid and organizational format of the Excel spreadsheet to construct a three-dimensional painting space. The installation shows the how and what of painting, memory, and the construction and navigation of studio practice and the art world. Digital prints, paint, process notes, residual painter’s tape, and images combine to suggest both the interior of three-dimensional painting and the brain of an artist organizing information. The images and information include: (i) the artist’s Haugan family from Morgedal, Norway whose great-grandfather (Olaf Haugan, the ski jump world record holder, 1879) immigrated to the United States, (ii) contemporary art and art history, (iii) art world logistics, and (iv) the process logistics for spreadsheetspace.
ArtPrize Seven at GRAM will bring another thematic exhibition of work by artists from across the globe to West Michigan. This exhibition will address this theme in its broadest sense, serving as a framework for exhibiting and interpreting a wide range of different works of art. Nature/Nurture will explore the circumstances of every-day life and the complex character of identity. Are we a product of our DNA or of our environment? The classic construct of nature versus nurture as debated by philosophers and scientists will be only one dimension of this multi-faceted exhibition. Nature/Nurture will also investigate the numerous ways in which artists address the themes of nature and nurture separate from one another.
Detroit, MI-- Wasserman Projects, an independent, interdisciplinary arts space, will open its doors on September 25th, during Detroit Design Festival. Located in the historic Eastern Market, the new space will launch with two exhibitions featuring large-scale interactive installations by Markus Linnenbrink / Nick Gelpi and Jon Brumit. Opening reception: Friday, September 25, 6-10 pm.
Stephen Dean is a French-American artist based in New York City whose work summons the mesmerizing physiological and cultural qualities of color. He employs a visual language that explores the saturated edge of the color spectrum through large-scale celebratory videos, sculptures and works on paper.
ACME. is pleased to present a solo exhibition of new paintings and sculptures by Los Angeles based artist Iva Gueorguieva. Included in the exhibition is a new monumental painting that consists of 5 panels that wrap around a corner of the room, with one panel on the left wall and the other 4 panels continuing to the right wall forming an L-shape. Included with Gueorguieva's new paintings will be three new sculptural works that she produced during her ongoing residencies at Graphicstudio in Tampa, FL.
The canvases of California-based painter Michael Reafsnyder pulsate with energy. Layers of abstract marks bear the traces of their making as paint is directly applied from the tube, weaving together to create dense, intricate topographies. It’s not always easy to enter the work: one must follow multiple strands of color before a narrative opens up and the viewer is absorbed by the sensual space Reafsnyder offers.
Tam Van Tran's solo exhibition, Breathing, is on view at Long Beach City College Art Gallery 3 September - 1 October 2015.
Walls of Color: The Murals of Hans Hofmann opens October 10, 2015 and will headline the museum's Art Basel season, on view through January 3, 2016. The exhibition focuses on the artist's public mural projects, and also includes several key later paintings. It features nine oil studies (each seven feet tall) for the redesign of the Peruvian city of Chimbote (Hofmann's visionary collaboration in 1950 with Catalan architect Jose Luis Sert that was never realized).
A work, futuredpast, by Franklin Evans is included in a group exhibition, NEW NEW YORK: ABSTRACT PAINTING IN THE 21ST CENTURY, at the University of Hawaii at Manoa.
A renaissance of abstraction has recently surfaced cross New York. The sine qua non of modern art, abstraction fell out of favor in the late twentieth century with the emergence of postmodernism and its concepts of paradox, pastiche and deconstruction. But at the beginning of the twenty-first century, abstraction has arisen from the ashes of its professed death with a power and potency rivaling its inception. This phenomenon and the reasons for its resurgence are considered in NEW NEW YORK: Abstract Painting in the 21st Century.
TAMPA, Fla. (Aug. 12, 2015) - As Iva Gueorguieva looks intently at the seven sculptures coming to life, she speaks about the synergistic relationship that she has developed over the past few years with University of South Florida’s Graphicstudio and how it has elevated and transformed the way she constructs her artwork.
In a unique survey exhibition that SCHAUWERK Sindelfingen shows exclusively works by artists from the collection Schaufler. More than 30 well-known women of contemporary art, including Sylvie Fleury, Isa Genzken, Katharina Grosse, Roni Horn, Barbara Kruger, Sherrie Levine, Jessica Stockholder and Rosemarie Trockel, are entitled LADIES FIRST! united. The approximately 100 works presented include photography, video, painting and installation. At the same time illustrate the different approaches, such as taking artists who sometimes still male-dominated art scene for themselves.
From 4 July to 27 September, at Hotel des Arts in Toulon, you can visit the exhibition VILLISSIMA. Des artistes et des villes which will exhibit some works by the artist Brian Alfred and Hema Upadhyay. The exhibition, curated by Guillaume Monsaingeon, becomes a point of reflection on how contemporary cities have evolved through contemporary art.
This exhibition brings together recently acquired works to the Barrick Museum and Las Vegas Art Museum collections. Many of the artists included in Recent Acquisitions have ties to the greater Las Vegas valley, helping to form the foundation of a heritage collection of works created in and inspired by the Southern Nevada region. As a cross section of the diverse practices pursued by contemporary artists this exhibition reaffirms the Barrick’s commitment to collecting art of the present. The vast majority of the works will be on display for the first time since entering the Museum’s collections.
Michael Reafsnyder's Floating is exhibited in "Paths and Edges: Celebrating the Five-Year Anniversary of the Escalette Collection" at the Guggenheim Gallery in conjunction with Chapman University. A catalogue accompanies the exhibition.
By Roberta Smith
GREENWICH, Conn. — You have to love Hans Hofmann for his exuberant late-blooming paintings, and for his eponymous art school, which formed one of the foundations of Abstract Expressionism. His paintings are, fittingly, usually seen as part of that heroic art movement, even though they replace its existential undercurrents with a stylistic capriciousness that sifts through European modernism with abandon.
Two works by Kevin Appel, House - South Rotation Red: 4 West and Houses and Timbers I, are included in a group exhibition, Endless House: Intersections of Art and Architecture, at MoMA from 27 June 2015 - 6 March 2016.
The New York Foundation for the Arts (NYFA) has announced the recipients and finalists of its Artists’ Fellowship Program. The organization has awarded a total of $642,000 to 95 artists (including four collaborations) throughout New York State in the following disciplines: fiction, folk/traditional arts, interdisciplinary work, painting, and video/film. Fifteen finalists (three per discipline), who do not receive a cash award, but benefit from a range of other NYFA services, were also announced. A complete list of the Fellows and finalists follows.
Wolf Kahn's River, 1983, is included in a group exhibition, AMPLIFIED ABSTRACTION, at El Paso Museum of Art.
Stephen Dean's video installation, GRAND PRIX, 2005, is included in a group exhibition, Ensembles, La Photographie, at Les Rencontres de la Photographie, Arles.
Patrick Wilson’s paintings—a number of which are now on view at Ameringer | McEnery | Yohe in New York—benefit from a slow, prolonged, and introspective viewing. Precise compositions of squares and a considered rhythm of colors beckon the viewer past the painting’s surface and into a space that grows more and more palpable. Like some of life’s greatest pleasures, the appeal is visceral: “I want the paintings to be seductive like a really good meal and really good wine,” he recently told Artsy.
July 2 at 8 pm NYC-Arts News on THIRTEEN will be hosted from the Bruce Museum in Greenwich, CT featuring "Walls of Color, the Murals of Hans Hoffman."
Broadcast encores as follows: Sunday, July 5 at 12 noon on THIRTEEN Friday, July 3 at 7pm and Sunday, July 5 at 3pm on WLIW Sunday, July 5 at 8:30 pm on NJTV
July 9 at 8 pm NYC-Arts News on THIRTEEN will be hosted from the Bruce Museum in Greenwich, CT featuring "Walls of Color, the Murals of Hans Hoffman."
Broadcast encores as follows: Sunday, July 12 at 12 noon on THIRTEEN Friday, July 10 at 7pm and Sunday, July 12 at 3pm on WLIW Sunday, July 12 at 8:30 pm on NJTV
Work by Franklin Evans is being presented at Mykonos Biennale.
I would like to let you know about a very special opportunity happening at the Bruce next week.
On Thursday evening, June 25, Dr. Mary McLeod, our final guest lecturer in the 2015 Bob and Pam Goergen Lecture Series, will present:
Hans Hofmann and José Luis Sert: An Experiment in Artistic Collaboration
ICASTICA 2015 Cultivating Culture 28 June–27 September 2015 Press preview: 27 June
Todd Hebert is in a group show, Mixed Doubles, at Devin Borden Gallery in Houston, Texas this summer.
PRESS RELEASE
Nature Morte: Contemporary Artists Reinvigorate the Still Life
Nature Morte – the exhibition – is based on Michael Petry’s recent book of the same name for Thames & Hudson. It brings together historic still-life paintings and contemporary art works that use the language of the past for modern concerns. The show seeks to illustrate how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth century Old Masters.
Ameringer | McEnery | Yohe and Artsy held a private preview and walk-through of Patrick Wilson's exhibition, 28 May - 3 July 2015, with the artist.
By Ed Schad
It is worth pausing, at least for a moment, to think of the differences between Monique van Genderen’s four super-large paintings in the opening gallery of Susanne Vielmetter and the paintings of the era about which van Genderen is pointedly thinking: the broad and massively scaled canvases of Abstract Expressionism. Notably, the limitations of the studio set parameters of van Genderen’s paintings. The canvases are so large that she was forced to work on them both on the floor and on the wall, not knowing what they would look like when stretched and extended at Vielmetter.
Opening Saturday, 6 June 2015 from 6-9PM at Storefront Ten Eyck, 324 Ten Eyck Street, Brooklyn, NY 11206, during Bushwick Open Studio weekend.
Image: Franklin Evans, from1989houstonstreetstudioto2015, 2015, Mixed media installation
By Shana Nys Dambrot
Artist Iva Gueorguieva arrived in the US as a teenager 26 years ago, somewhat accidentally. Her family urgently emigrated from their native Bulgaria in the wake of Communism's fall, but their flight to Canada was diverted to Washington, DC, by a freak storm—so they settled in Baltimore instead. "People see a violence in my work that they think references life in Europe, but honestly, Baltimore in the 1990s was pretty intense!" She attended art school in Philadelphia and lived for a long while in New Orleans, before settling in LA about ten years ago. She had left New Orleans two months before Katrina, and she knows that the perception of violence comes partly from that, too—though in fact, it is a violence done to art historical conventions and complacent iconography rather than to characters in settings. Her post-Katrina series was called Talisman Debris, hearkening to witchcraft, reliquary, and destruction. On a personal level, this represented a reconciliation of her "survivor's guilt" for escaping Katrina, which resonated deeply with her experience leaving Europe as well. All of this and more she still carries with her.
A Lesson in Geometry By Jean Cohen
Listen to Patrick Wilson, see his new paintings in Chelsea (at Ameringer | McEnery | Yohe) and take away some art history. What Wilson has done for 20 years—works of elegant color, flatness and right angles—may seem, at first, the offspring of other art born out of geometry since the mid-20th century. But paintings by Wilson look like no one else's.
By Paul Behnke
From the Press Release:
Crosstown Arts is pleased to present "Between the Eyes," a group show about contemporary abstract painting and how we see it.
Just as the relationships of pitch and duration can express emotion in music, the formal relationships of hue, value, shape, and placement can collect to create meaning in abstract painting. Featuring the work of six painters exploring distinct modes of abstraction, the exhibition examines the way each artist uses deliberate choices to engage us in the experience of looking. Formal cues such as gesture, color and the use of found objects prompt us to recognize patterns and attribute meaning to certain behaviors. Physicality contends with the pictorial as we both decipher and project meaning into the space of abstract forms.
By Eileen Townsend
I once took an art history class for which we were required to buy a textbook called Living With Art. The teacher joked that it made art sound like a terminal disease, like the cultural equivalent of Living With Heart Failure. It was funny and unfortunately apt: Critical and curatorial discussion around art too often feels like people whispering at a funeral. It is a task to not get sucked into all the morbidity.
By Fredric Koeppel
I rarely visit an exhibition from which I wish I could take every piece home, but that’s the case with “Between the Eyes,” a show featuring work by six artists of the abstract at Crosstown Arts. That fantasy leaves aside considerations of cost — prohibitive — and of wall space, which is precious at our house. Curated by Laurel Sucsy, who includes two of her paintings, the show, spare in size and arrangement yet generous in result, will be displayed through May 16.
NEW YORK, NEW YORK – AMERINGER | McENERY | YOHE is pleased to announce its representation of artist, Yunhee Min. An exhibition of new works will open in Spring 2016.
NEW YORK TIMES
By David W. Dunlap
GREENWICH, Conn. — There are several ways to appreciate the work ofHans Hofmann, an exuberant Abstract Expressionist who influenced generations of artists.
You could bid on a Hofmann at Christie’s. Just be sure to come with tens or hundreds of thousands of dollars. You could pick up a monograph, at no small cost. The Met has a number of Hofmanns on display, but the museum will suggest that you pay $25 to get in.
Alternately, you can take a stroll down West 49th Street in Manhattan, between Ninth and 10th Avenues, any day. Free.
There, along the ground-floor facade of the former High School of Printing, is a boldly scintillating 64-by-11½-foot mosaic mural designed by Mr. Hofmann and executed brilliantly in 1958 by L. Vincent Foscato of Long Island City, Queens.
New York’s treasury of public and semipublic artwork is so rich that it sometimes takes an out-of-town institution to remind us what we’ve got. In this case, it is the Bruce Museum in Greenwich, Conn., which has opened an exhibition called “Walls of Color: The Murals of Hans Hofmann,” curated by Professor Kenneth E. Silver of New York University.
Suzanne Caporael to produce new work at Tandem Press, University of Wisconsin-Madison in Summer 2015 as well as at Tamarind Institute, University of New Mexico in Summer 2015.
The colours emerge from the depth of the image.
One of the great stories of the modern painting is about the liberation of the colour from the object represented, and the development of its own materiality. This story had its heyday in Europe in the mid-20th century. Back then, Jean Dubuffet, Jean Fautrier and Emil Schumacher mixed colours with sand, plaster and other compact materials, and in USA, Jackson Pollock and Morris Louis let the paint drip onto and run down the canvas.
Tam Van Tran’s newest exhibition “Exodus” at Susanne Vielmetter represents a meditation on duality wherein forces in nature collide with our own human frailties. These paintings accelerate our sensibilities as colors push forward and break apart, yet it is the tension between materials that is most compelling. The small, fragile ceramic vessels that reference military and funerary formations, “the family units of historical figures in Vietnam,” stand in sharp contrast to the energy and movement of the large-scale paintings. The past conflates with the present and intimates the future much like the Buddhist deity Kala, who embodies the elements of time and death within a feminine form, suggesting rebirth.
One of the main advantages of sculpture is its possibility to express multi-dimensionality. Of course, there are techniques in painting aiming to represent multiple dimensions. Iva Gueorguieva is a contemporary artist whose paintings are characterized by extraordinary techniques with the goal to represent variable-dimension worlds. She experiments with cutting and collaging the surfaces of her paintings in order to explore the shallow yet real space produced by the cut and the glued edge. Working with sculpture was a natural step in the practice of Iva Guoeorguieva, deeply involved with the productive tension between the materiality of paint and support, and the possibility of illusory or “only-perceived” space. Finding ways for expressing the “materiality” in space is inherently related with sculptures. One of the main features of sculptures is its three-dimensionality that largely eases the positioning of subject-matter in space and time. The latest series of paintings and sculptures by Bulgarian-born artist Iva Gueorguieva will be exhibited at Ameringer | McEnery | Yohe in New York.
FL GALLERY opens its new space with a solo exhibition by Franklin Evans.
Without attempting to exhaust the theme, this exhibition reveals treasures that have been preciously guarded in French institutions since the end of the 19th century. The photographic relationship between Brazil and France becomes even more intense nowadays, as proven by the important collection of contemporary Brazilian photography at the Maison Européenne de la Photographie, represented here by a few examples which have Rio as a theme.
Rio, certainly a French passion, but also a passion of photographers from all around the world, and one that FotoRio and MAR are proud to share.
Screening animations at the Dallas Art Fair organized by Gretchen L. Wagner, Artistic Director and Chief Curator, Oklahoma Contemporary and Marfa Contemporary.
Participating artists include Brian Alfred, JJ Peet, Raphael Montanez Ortiz, Tomislav Gotovac, Desiree Holman, Sundblad/ Granat Films and Pul Kos, among others.
John Seed Interviews David Allan Peters:
David Allan Peters, whose work is on view at Ameringer | McEnery | Yohe through April 19th, has been building heavily layered paintings that he carves into to reveal rich stratigraphies of color. Kaleidoscopic in their intensity, Peters' works are both intuitive excavations and explorations of pattern.
I recently spoke to David Allan Peters and asked him about his background, his education and his methods.
Susanne Vielmetter Los Angeles Projects is pleased to announce our 6th solo exhibition with Tam Van Tran in Galleries 1 and 2. Dense rows of precious ceramic bottles surround Tran’s chaotic new paintings that explore the natural world and oppositional forces such as silence and noise, order and rupture.
Works of Paper II
opening reception: Saturday, March 21, 6-8pm
Dawn Clements, Doug Crocco, Daniel Cummings, Tomory Dodge, Natalie Frank, Gregor Gleiwitz, Iva Gueorguieva, Roger Herman, Anne McCaddon, Aaron Morse, Michael Norton, Demetrius Oliver, Yuval Pudik, Michael Reafsnyder, Dario Robleto, Brion Nuda Rosch, Adam Ross, Lisa Sanditz, Aili Schmeltz, Fran Siegel, Stephanie Washburn, Eric Yahnker
Kaleidoscope: abstraction in architecture Kevin Appel, Carlos Bunga, Gianfranco Foschino, Veronika Kellndorfer, and Lucia Koch
Opening Reception: Saturday, March 21, 2015, 6-8PM
Christopher Grimes Gallery is pleased announce its forthcoming exhibition Kaleidoscope: abstraction in architecture. This exhibition brings together artists from different backgrounds that engage with the languages of abstraction and architecture through multiple media to achieve distinctly varied results. Included in the exhibition are works by Kevin Appel, Carlos Bunga, Gianfranco Foschino, Veronika Kellndorfer and Lucia Koch.
This exhibition will explore connections between a range of modern and contemporary artworks that employ innovative materials and approaches to image-making. The show’s title Rock, Paper, Scissors, and String both recalls the familiar childhood game of chance and reflects the exhibition’s focus on the inventive use of artmaking materials, compositions, or techniques to create each work.
INSIDE THE GLAMOROUS NEW YORK CITY PENTHOUSE OF KARA AND STEPHEN ROSS
In their penthouse high above Central Park, jewelry designer Kara Ross and developer Stephen Ross cultivate an air of warmth, glamour, and sophistication
Text by David Colman | Photography by William Waldron | Produced by Carlos Mota
Susanne Vielmetter Los Angeles Projects is pleased to announce Manufactured Paintings, an exhibition of works by Monique van Genderen.
The exhibition opens on 21 February and will be on view through 4 April 2015.
https://www.vielmetter.com/exhibitions/current/499/view.html
For Atelier Ace Issue, our series of limited edition art prints, we asked Brian Alfred, a multimedia artist originally from Steel City, USA, to envision an exclusive print for us and for you. With hard-edges, flat geometric forms and imagery borrowed from Circuit of the Americas in Travis County, Texas, Alfred uses speed, car racing and rituals of spectacle as avenues to explore contemporary ways of seeing.
Postcards from the End of the World: Brian Alfred’s Colorful, Cautionary Tales
Painter and digital artist Brian Alfred presents the world as a series of flattened fragments. Working from photographs, the Brooklyn-based artist digitally creates compressed, simplified images that capture the energy and anxieties of the modern world. Highway overpasses, empty offices, cityscapes, and even public figures’ faces are reduced into planes of flat color, which the artist carefully paints in taped-off portions, creating crisp images that sit somewhere between the handmade art of paintings, cartoon-like animation, and mass-produced perfection. His latest series, on view in a new show at Ameringer | McEnery | Yohe, takes automobile racing as its point of departure.
BRIAN ALFRED AT AMERINGER | MCENERY | YOHE
The New York based gallery Ameringer | McEnery | Yohe has announced a forthcoming solo exhibition by the Brooklyn based artist Brian Alfred which will present recent works under the title It Takes A Million Years To Become Diamonds So Let’s All Just Burn Like Coal Until The Sky Is Black. The solo exhibition will feature new images by Brian Alfred based around the exploration of automobile racing, his cropped abstract works capturing everything from the excitement of the cars and racing through to the global investment elements of companies that contribute the money to the races by including representations of oil slogans in his images. The exhibition at Ameringer | McEnery | Yohe, who last year presented a show of work by Wolf Kahn (see more in this video), sees Brian Alfred capturing small slices of time that aim to capture the emotions of watching the races.
The Canadian-born, Los Angeles-based painter is a master colorist who fetishizes the brushstroke to striking effect. For this exhibition of recent paintings she opted for a kind of reverse working method. Instead of creating sketches and studies for a larger painting, Van Genderen made the large work first and endeavored, on six smaller canvases, to recreate sections of that painterly abstraction that were as true to the original painting as possible. The small-scale “copies” could theoretically be reassembled to ape the original piece.
FARGO – Todd Hebert’s techniques are making the art world take a second look at his work.
The Grand Forks painter has been creating a stir in gallery circles for years, but area art patrons are seeing for themselves what all the buzz is about. The North Dakota native’s show, “Todd Hebert: Selected Works 1999-2014” opened at the Plains Art Museum in Fargo in October and remains on display through March 21.
This fall, on the occasion of the New York Studio School’s 50th Anniversary, Steven Kasher Gallery is pleased to present 12 Painters: The Studio School, 1974/2014. This dynamic exhibition brings together painting by six artists who studied at the New York Studio School in the early 1970s: Andrea Belag, Robert Bordo, Joyce Pensato, David Reed, Adam Simon, and Christopher Wool; and six Studio School teachers who influenced them:Nicolas Carone, Philip Guston, Mercedes Matter, George McNeil, Steven Sloman, and Jack Tworkov. The exhibition will be on view from November 20th, 2014 through January 10th, 2015 at Steven Kasher Gallery, exploring the connections/dissonances of artists from the Studio School across generations.
The "Summer of '14" is now a work of art. It is also a work in progress by Columbus artist Bo Bartlett. In the painting, two teenage girls are riding a bike oblivious to the cloud of smoke behind them. It was that kind of summer for Bartlett, who worked on the painting in his second-floor studio in the old Swift textile mill on Sixth Avenue. Things seemed to be going well, but he says he sensed impending doom. It struck when his 27-year-old son, Eliot, died suddenly. Recently, Bartlett sat down with Ledger-Enquirer reporter Chuck Williams to discuss his life, his work and his difficult summer.
Selections from the Museum's Collection: Modern and Contemporary Art
Selections from the Museum's Collection: Modern and Contemporary Art is part of a series highlighting the Museum’s exceptional holdings and showcasing works new to Houston audiences. This installation comprises major paintings and sculptures that span the early 20th century to the present.
Todd Hebert: Selected Works 1999-2014
Xcel Energy Gallery, General Exhibition
In Todd Hebert: Selected Works 1999–2014, Plains Art Museum presents a 15 year survey of paintings and works on paper made by native North Dakotan Todd Hebert, who teaches in the Department of Art and Design at the University of North Dakota in Grand Forks.
THEGRASSISALWAYSGREENER is the title of the exhibition of Linnenbrink´s most recent works at Max Estrella Gallery (the second in this space).
Colors move us. Very few people are capable of viewing the colors that surround them with indifference. They may stimulate or pacify; they can trigger unpleasant states of mind or pleasant sensations. For Goethe, seeing colors was an experience based on reciprocal energies between nature and the observer. It was a phenomenon that did something to the observer, something linking a man´s innermost being to the world around him via the detour of the seeing eye.
New Orleans, LA— The New Orleans Museum of Art is pleased to present Photorealism: The Sydney and Walda Besthoff Collection, the most extensive presentation to-date of the Photorealist painting collection of Sydney and Walda Besthoff. Unveiled with the Odyssey Gala on Friday, November 7, this exhibition will highlight one of the finest photorealist collections in the United States, based in New Orleans, featuring over 75 works.
The Photorealist collection built by Sydney and Walda Besthoff includes many of the artists associated with the first wave of Photorealism in the late 1960s and early 1970s, such as the renowned Chuck Close, Richard Estes, and John DeAndrea, and also encompasses works by more recent generations who are pushing the boundaries of Photorealism. The collection also features a broad range of engaging subject matter, from detailed cityscapes and portraits, to convincingly real close-ups of objects such as motorcycles, cars, toys, fruit, and flowers.
New Orleans, LA— The New Orleans Museum of Art is pleased to present Photorealism: The Sydney and Walda Besthoff Collection, the most extensive presentation to-date of the Photorealist painting collection of Sydney and Walda Besthoff. Unveiled with the Odyssey Gala on Friday, November 7, this exhibition will highlight one of the finest photorealist collections in the United States, based in New Orleans, featuring over 75 works.
The Photorealist collection built by Sydney and Walda Besthoff includes many of the artists associated with the first wave of Photorealism in the late 1960s and early 1970s, such as the renowned Chuck Close, Richard Estes, and John DeAndrea, and also encompasses works by more recent generations who are pushing the boundaries of Photorealism. The collection also features a broad range of engaging subject matter, from detailed cityscapes and portraits, to convincingly real close-ups of objects such as motorcycles, cars, toys, fruit, and flowers.
Helen Frankenthaler (American, 1928–2011) had her first solo exhibition at Tibor de Nagy Gallery in 1951, an exhibition that synthesized the most radical aspects of works by Arshile Gorky, Willem de Kooning, and Jackson Pollock, with ambitious canvases of textured surfaces, pale color, and calligraphic drawing. The following year, with Mountains and Sea, 1952, she created another kind of painterly space by staining unprimed canvas with oil paint while allowing telltale signs of drawing to remain.
The Bilbao Fine Arts Museum is pleased to announce Hyperrealism 1967-2013, an exhibition with works by Davis Cone, among others. The exhibition will open on 7 October 2014 and be on view through 19 January 2015.
In the late nineteen-sixties, a group of artists made a name for themselves in the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realism. They gelled into what became known as the Hyperrealist movement, which took flight at the 1972 Kassel Documenta and remains airborne today.
Art=Text=Art: Private Languages / Public Systems has been re-curated for UB Anderson Gallery by graduate students Sarah JM Kolberg, Cat Dawson, and Maddie Phinney, under the direction of Jonathan D. Katz, Director of the Doctoral Program in Visual Studies at the University at Buffalo, The State University of New York. This new presentation explores the advent of language in the visual arts in post-war America and the simultaneous emergence of concrete poetry. These practices embraced language’s ability to carry multiple, even contradictory meanings, thus creating a space for individual acts of anti-conformist thought. Through words in art, flirtations with ideas unauthorized by then-dominant socio-political realities were allowed expression, especially among an early generation of LGBTQ artists.
The Bilbao Fine Arts Museum is pleased to announce Hyperrealism 1967-2013, an exhibition with works by Rod Penner, among others. The exhibition will open on 7 October 2014 and be on view through 19 January 2015.
In the late nineteen-sixties, a group of artists made a name for themselves in the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realism. They gelled into what became known as the Hyperrealist movement, which took flight at the 1972 Kassel Documenta and remains airborne today.
A thought-provoking exhibition of twenty-first century painting, sculpture, video and furnishings representing the newest abstract work from today’s best artists. NOW-ISM features international emerging stars like Sarah Cain, Diana Al-Hadid and Florian Meisenberg and established artists including Columbus’ own art star Ann Hamilton, Jim Hodges, Teresita Fernández, Jason Middlebrook, Carrie Moyer and Pia Fries. The show will include more than 100 works spanning all three floors of the space.
A thought-provoking exhibition of twenty-first century painting, sculpture, video and furnishings representing the newest abstract work from today’s best artists. NOW-ISM features international emerging stars like Sarah Cain, Diana Al-Hadid and Florian Meisenberg and established artists including Columbus’ own art star Ann Hamilton, Jim Hodges, Teresita Fernández, Jason Middlebrook, Carrie Moyer and Pia Fries. The show will include more than 100 works spanning all three floors of the space.
In an attention-compromised age when images are instant and prevalent, abstract painting serves as a contradiction, acting as a conduit for the mark of the original, individual artist. While most of the work in the exhibition has been recently created and acquired, additional paintings culled from LACMA’s collection illustrate how artists have reanimated techniques and forms using other sources that are appropriated from popular culture, photography, and collage, essentially creating a new variation of abstract painting.