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Isca Greenfield-Sanders | Museum of Fine Arts, Houston

Tree Tunnel, 2019, Spit-bite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

The Museum of Fine Arts, Houston
Through January 2024
Organized by Dena Woodall, Curator, Prints and Drawings

"Paulson Fontaine Press: Prints by Isca Greenfield-Sanders" spotlights work that the New York-based artist created between 2006 and 2019 at the Berkeley, California, intaglio printmaking studio, which has a reputation for amplifying important, often underrepresented voices in the visual arts. Over the course of her almost two-decade relationship with the studio, Greenfield-Sanders has created prints that merge centuries-old techniques of painting and intaglio printmaking with late-20th-century photography and 21st-century photo scanning and retouching technology.

Convertible, 2019, Spit-bite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

Convertible, 2019, Spit-bite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

Pink Mountain, 2019, Spit-bite aquatint and aquatint in colors with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

Pink Mountain, 2019, Spit-bite aquatint and aquatint in colors with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

Tree Tunnel, 2019, Spit-bite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

Tree Tunnel, 2019, Spit-bite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35. Image © The Museum of Fine Arts, Houston.

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