Inka Essenhigh
INKA ESSENHIGH
525 West 22nd Street
15 October - 14 November 2020
New York, NY: Miles McEnery Gallery, Inka Essenhigh, 15 October - 14 November 2020
New York, NY: Miles McEnery Gallery, Inka Essenhigh, 15 October - 14 November 2020
New York, NY: Miles McEnery Gallery, Inka Essenhigh, 15 October - 14 November 2020
New York, NY: Miles McEnery Gallery, Inka Essenhigh, 15 October - 14 November 2020
New York, NY: Miles McEnery Gallery, Inka Essenhigh, 15 October - 14 November 2020
Selected Works
Press Release
NEW YORK, NEW YORK – MILES McENERY GALLERY is pleased to announce an exhibition of new paintings by Inka Essenhigh. The show will open on 15 October at 525 West 22nd Street and remain on view through 14 November 2020. The exhibition is accompanied by a fully illustrated publication featuring an essay by Jenni Sorkin.
Inka Essenhigh paints fantastical worlds where the everyday is twisted and contorted by energetic forces from within and whithout. Over the past 20 years she developed her own style and vision that she has put to use to create beautiful manifestations of the world: albeit one that isn’t completely free of evil. Rendered with technical prowess, her lexicon of surreal nature scenes and otherworldly figuration has been variously interpreted as related to Japanese anime, comic books, European fairy tales, and children’s animation. While Essenhigh is neither fully Surrealist nor fully Pop, what the art movements with which she is associated with have in common—is a relationship to the uncanny.
As found throughout Surrealism and other modern avant-garde movements, Essenhigh’s paintings tend be uniquely episodic, while still sharing themes of flora and fauna. They are touched by a curious self-containment and an interiority of the force of imagination. Her works display dimensional narratives that require close-up viewing, creating a visceral dialogue, one viewer at a time. Each is marked by bright, rich color, and a decision to revel in the “little world” schema of psychology with a fluidity between people and their things.
The works on view display storybook fantasias that often rearrange familiar elements of daily life or the natural world into something disquietingly picturesque. Her dreamlike paintings, populated with woodland scenes, Baudelairean flowers and mystical beings, offer an animistic responsiveness in which plant life and non-Anthropocene beings become cyphers for human-like behaviors and feelings.
INKA ESSENHIGH (b. in 1969 in Bellefonte, PA) received her Bachelor of Fine Art degree in 1992 from Columbus College of Art & Design, Columbus, OH and her Master of Fine Art in 1994 from the School of Visual Arts, New York, NY.
Recent solo exhibitions include “Other Worlds: Inka Essenhigh, ” Susquehanna Art Museum, Harrisburg, P A; “Uchronia, ” Kavi Gupta Gallery, Chicago, IL; “Inka Essenhigh: Manhattanhenge,” The Drawing Center, New York, NY; “A Fine Line,” Virginia Museum of Contemporary Art, Virginia Beach, VA and Kalamazoo Institute of Arts, Kalamazoo, MI; Miles McEnery Gallery, New York, NY; “Between Worlds,” Frist Center, Nashville, TN; “Stars and Flowers,” Baldwin Gallery, Aspen, CO; “Comet Dust & Crystal Shards,” Jacob Lewis Gallery, New York, NY Columbus College of Art & Design, Joseph V. Canzani Center, Columbus, OH; Tomio Koyama Gallery, Tok yo, Japan; Pace Prints, New York , N Y; 303 Gallery, New York , N Y; Victoria Miro, London, United Kingdom; 303 Gallery, New York, NY; Victoria Miro, London, United Kingdom; DA2 Domus Artium 2002, Salamanca, Spain; Sint-Lukasgalerie, Brussels, Belgium; “Etchings, ” Michael Steinberg Fine Art , New York, N Y; Museum of Contemporary Art , Miami, FL; Galleria il Capricorno, Venice, Italy; Fruitmarket Gallery, Edinburgh, Scotland; Victoria Miro, London, United Kingdom; 303 Gallery, New York, NY; and “Works on paper,” Victoria Miro (Project Room), London, United Kingdom.
Recent group exhibitions include: “Really.” (curated by Inka Essenhigh and Ryan McGinness), Miles McEnery Gallery, New York, NY; “Do You Think it Needs a Cloud,” Miles McEnery Gallery, New York, NY; “Life During Wartime: Art in the Age of Coronavirus,” University of South Florida Contemporary Art Museum, Tampa, FL; “The Figure in Solitude,” Kavi Gupta Gallery, Chicago, IL; “Radical Optimism,” Kavi Gupta Gallery, Chicago, IL; “Skirting the Line | Painting between Abstraction and Representation,” Center for Maine Contemporary Art, Rockland, ME; “FIXED CONTAINED” (curated by Tomokazu Matsuyama), Kotaro Nukaga, Tokyo, Japan; “Not All Doors Are The Same,” Booth Gallery, New York, NY; Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, NewYork, N Y; “Belief in Giants, ” Miles McEnery Gallery, New York, N Y ; “Parallel Lives, ” Kavi Gupta Gallery, Chicago, IL; “Le Nuove Frontiere della Pittura,” Fondazione Stelline, Milan, Italy; “Dead Among The Dead!,” Ellis King, Dublin, Ireland; “Imagine,” Brand New Gallery, Milan, Italy; “Introductions,” La MaMa La Galleria, New York, NY; “Eden, éden” (curated by Timothée Chaillou), Galerie Torri, Paris, France; “ The Ukrainian Diaspora: Women Artists 1908 -2015, ” The Ukrainian Museum, New York, N Y; “Painters N YC,” Páramo Galeria, Guadalajara, Mexico and El Museo de los Pintores Oaxaqueños, Oaxaca, Mexico; “Disturbing Innocence,” The FL AG Art Foundation, New York, N Y; “Sargent’s Daughters, ” Sargent’s Daughters, New York, N Y; “ The Golden Ass, ” Blindarte Contemporanea, Naples, Italy; “Cinematic Visions: Painting at the Edge of Reality,” Victoria Miro, London, United Kingdom; “Pivot Points: 15 Years & Counting,” Museum of Contemporary Art North Miami, Miami, FL; and “Fairy Tales, Monsters, and the Genetic Imagination,” Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Manitoba, Canada and Glenbow Art Museum, Calgary, Canada.
Her work may be found in select collections including Albright-Knox Art Gallery, Buffalo, NY; Denver Art Museum, Denver, CO; Museum of Contemporary Art, North Miami, Miami, FL; Museum of Modern Art, New York, NY; San Francisco Museum of Modern Art, San Francisco, CA; Seattle Art Museum, Seattle, WA; Tate Gallery, London, United Kingdom and the Whitney Museum of American Art, New York, NY.
Inka Essenhigh lives and works in New York, NY.
Publications
News
Inka Essenhigh | Whitehot Magazine
Review by Donald Kuspit
January 2021
Idiosyncratic Nature: Donald Kuspit on Inka Essenhigh’s Flowers and Patrice Charbonneau’s Shoals
"Essenhigh’s paintings are indebted to, not to say inspired by, traditional art, not only because they make use of classical myth, however much her figures may be transformed into surreal mirages, but because of their meticulous, even exquisite execution, her mastery of sprezzatura, the art that conceals art, and their baroque-like character, not to say their idiosyncratic beauty."
Inka Essenhigh | The Nation
Review by Barry Schwabsky
19 January 2021
When the Painting Has Really Begun
On the mid-career work of Cecily Brown and Inka Essenhigh.
"Musings on the fate of judgment have been much on my mind since seeing exhibitions by a couple of painters, Inka Essenhigh and Cecily Brown, who in the late 1990s seemed to me without doubt to be among the most promising painters on the New York scene. They recently exhibited their latest efforts in New York, at the Miles McEnery Gallery and the Paula Cooper Gallery, respectively."
Inka Essenhigh | Artnet News
Review by Caroline Goldstein
4 November 2020
ON VIEW: American Painter Inka Essenhigh’s Surrealist Scenes Offer a Very Enjoyable Distraction From the News—See Them Here
"Escape from the stress of the day with these luscious, fantastical landscapes."
Inka Essenhigh | Fine Art Globe
Review by Ken Kurson
21 October 2020
Chelsea Explodes in Color: Inka Essenhigh exhibits new paintings at Miles McEnery Gallery
"A quick trip through the Chelsea show makes it obvious why Essenhigh’s stock is rising. In these colorful, dreamlike images, one can spot influences ranging from comic books to anime. But this isn’t really pop art nor is it completely surreal. Often there are straightforward representations, but the longer one looks the more one notices something’s just a little off in a way that evokes the psychology of the greatest fairytales."