Life is Fear, Nothing Else, 2026,
Acrylic, paper, bamboo, wood, and Dacron,
60 x 48 x 8 1/4 inches, 152.4 x 121.9 x 21 cm, MMG#38511
Happiness and glass, 2025, Acrylic, paper, bamboo, wood, and Dacron,
32 x 26 x 8 1/4 inches, 81.3 x 66 x 21 cm, MMG#38151
Maybe going back isn’t the right idea, 2025, Acrylic, paper, bamboo, wood, and Dacron, 32 x 26 x 8 1/4 inches, 81.3 x 66 x 21 cm, MMG#38154
No, No My Friends, We Will Not, 2025, Acrylic, paper, bamboo, wood, and Dacron,
72 x 60 x 8 1/4 inches, 182.9 x 152.4 cm, MMG#38143
Path to the Sky, 2025, Santa Maria della Scala, Siena, Italy. Photo by Luca Deravignone, courtesy of the Santa Maria della Scala.
The Flight of Probability, 2025, Acrylic, bamboo, paper, wood, and dacron, 60 x 48 x 8 1/4 inches, 152.4 x 121.9 x 21 cm, MMG#37974
The Miserable Touch of the Cosmos, 2025, Acrylic, paper, bamboo, wood, and Dacron, 72 x 60 x 8 1/4 inches, 182.9 x 152.4 x 21 cm, MMG#38141
The problem with bubbles, 2025, Acrylic, paper, bamboo, wood, and Dacron, 32 x 26 x 8 1/4 inches, 81.3 x 66 x 21 cm, MMG#38150
The Promise of Other Inventions (that worked better), 2025, Acrylic, paper, bamboo, wood, and Dacron,
72 x 60 x 8 1/4 inches, 182.9 x 152.4 cm, MMG#38142
This exact language, 2025, Acrylic, paper, bamboo, wood, and Dacron,
32 x 26 x 8 1/4 inches, 81.3 x 66 x 21 cm, MMG#38153
What!? - I? Who?, 2025, Acrylic, paper, bamboo, wood, and Dacron,
60 x 48 x 8 1/4 inches, 152.4 x 121.9 x 21 cm, MMG#38144
Would it work? Not likely., 2025, Acrylic, paper, bamboo, wood, and Dacron,
32 x 26 x 8 1/4 inches, 81.3 x 66 x 21 cm, MMG#38147
You guys ruined my precious moment, 2025, Acrylic, paper, bamboo, wood and dacron, 60 x 48 x 8 1/4 inches, 152.4 x 121.9 x 21 cm, MMG#37925
As I would never be again, 2024, Acrylic, bamboo, paper, wood, and Dacron,
60 x 48 x 8 1/4 inches, 152.4 x 121.9 x 21 cm, MMG#36627
Day by Day, 2024, Jefferson Health, Philadelphia, PA. Courtesy of the Jefferson Health.
Groundwater, 2024, Acrylic, bamboo, paper, wood, and Dacron,
54 x 96 x 8 1/4 inches, 137.2 x 243.8 x 21 cm, MMG#36943
The Cosmic Whirlwind of Past Faults, 2024, Acrylic, bamboo, paper, wood, and Dacron, 66 x 60 x 8 1/4 inches, 167.6 x 152.4 x 21 cm, MMG#37205
These much-despised beings are not so universally stupid, 2024, Acrylic, bamboo, paper, wood, and Dacron, 54 x 48 x 8 1/4 inches, 137.2 x 121.9 x 21 cm, MMG#37288
Histories, 2023, Acrylic, bamboo, paper, wood, and Dacron,
84 x 11 3/4 x 8 1/4 inches, 213.4 x 29.8 x 21 cm, MMG#36005
In order to get the self-destruct mechanism started, 2023,
Acrylic, bamboo, paper, wood, and Dacron,
66 x 61 x 8 inches, 167.6 x 154.9 x 20.3 cm, MMG#35996
I Too Await, 2023, Acrylic, bamboo, paper, wood, and Dacron,
42 x 36 x 8 1/4 inches, 106.7 x 91.4 x 21 cm, MMG#36001
The Moment, The Realization, The Unknown City, 2023,
Acrylic, bamboo, paper, wood, and Dacron, 60 x 46 3/4 x 8 inches, 152.4 x 118.7 x 21 cm,
MMG#35999
The Pathways of Compulsive Romanticism, 2023, Acrylic, bamboo, paper, wood, and Dacron,
60 x 47 x 8 inches, 152.4 x 119.4 x 20.3 cm, MMG#35998
The Rewind, 2023, Acrylic, bamboo, paper, wood, and Dacron,
42 x 36 x 8 1/4 inches, 106.7 x 91.4 x 21 cm, MMG#36002
The Tragicomic Pursuit, 2023, Acrylic, bamboo, paper, wood, and Dacron,
60 x 144 x 8 1/4 inches, 152.4 x 365.8 x 21 cm, MMG#35995
A Foreshortened Fable, 2022, Acrylic, bamboo, paper, wood, and Dacron, 66 x 60 3/4 x 8 1/4 inches, 167.6 x 154.3 x 21 cm, MMG#34963
The curiously forested spaces of young hearts, 2022, Acrylic, bamboo, paper, wood, and Dacron, 66 x 60 x 8 1/4 inches, 167.6 x 152.4 x 21 cm, MMG#34705
The Fractured Giant, 2023, Boise Art Musem, Boise, ID. Courtesy of the Boise Art Museum.
The Fractured Giant, 2023, Boise Art Musem, Boise, ID. Courtesy of the Boise Art Museum.
The Fractured Giant, 2023, Boise Art Musem, Boise, ID. Courtesy of the Boise Art Museum.
The Fractured Giant, 2023, Boise Art Musem, Boise, ID. Courtesy of the Boise Art Museum.
The Unscalable Rampart of Time, 2022, BNA Nashville International Airport, Nashville, TN. Photo by Jordan Powers, courtesy of the artist and BNA Nashville International Airport.
The Unscalable Rampart of Time, 2022, BNA Nashville International Airport, Nashville, TN. Photo by Jordan Powers, courtesy of the artist and BNA Nashville International Airport.
why must goodness, of all wishes, come to nothing, 2022, Acrylic, bamboo, paper, wood, and Dacron, 32 x 27 x 8 1/4 inches, 81.3 x 68.6 x 21 cm, MMG#34706
The City and the Sky, 2020, Portland International Airport, Portland, OR. Courtesy of the Portland International Airport.
The City and the Sky, 2020, Portland International Airport, Portland, OR. Courtesy of the Portland International Airport.
The Eclipse, 2018, Governors Island, New York, NY. Photography: Erin O'Hara.
The Eclipse, 2018, Governors Island, New York, NY. Photography: Timothy Schenck.
Gas Giant, 2014, Museum of Contemporary Art Pacific Design Center, Los Angeles, CA. Photography: Fredrik Nilsen.
Gas Giant, 2014, Museum of Contemporary Art Pacific Design Center, Los Angeles, CA. Photography: Fredrik Nilsen.
Gas Giant, 2014, Museum of Contemporary Art Pacific Design Center, Los Angeles, CA. Photography: Fredrik Nilsen.
Jacob Hashimoto in his studio, Ossining, NY, 2025.
Jacob Hashimoto (b. 1973 in Greeley, CO) studied at Carleton College and received his Bachelor of Fine Arts degree from the School of the Art Institute of Chicago in 1996.
Hashimoto has presented solo exhibitions and installations at the Boise Art Museum, Boise, ID; Crow Museum of Asian Art, Dallas, TX; Governors Island, New York, NY; Museo d’Arte Contemporanea di Roma, Rome, Italy; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art Pacific Design Center, Los Angeles, CA; Roberts Family Gallery, SFMOMA, San Francisco, CA; San Jose Museum of Art, San Jose, CA; Santa Maria della Scala, Siena, Italy; SITE Santa Fe, Santa Fe, NM; Studio la Città, Verona, Italy; Tacoma Art Museum, Tacoma, WA; Tampa Museum of Art, Tampa, FL; and Wäinö Aaltonen Museum of Art, Turku, Finland, among others.
His work has been featured in group exhibitions at numerous institutions internationally such as The Courtauld Institute of Art, London, UK; Es Baluard Museu d’Art Contemporani de Palma, Palma de Mallorca, Spain; Galleria Nazionale d’Arte Moderna di Roma, Rome, Italy; International Print Center New York, New York, NY; Knoxville Museum of Art, Knoxville, TN; Kunsthallen Brandts, Odense, Denmark; Nevada Museum of Art, Reno, NV; Palazzo Fortuny, Venice, Italy; Phoenix Art Museum, Phoenix, AZ; Saatchi Gallery, London, UK; and Science Museum Oklahoma, Oklahoma City, OK.
Hashimoto’s work may be found in the collections of Art in Embassies, U.S. Department of State; The California Endowment, Los Angeles, CA; Capital One, McLean, VA; Cornell Tech Art Collection, New York, NY; Fondation Carmignac, Porquerolles, France; Los Angeles County Museum of Art, Los Angeles, CA; McDonald’s Corporation, Chicago, IL; The Metropolitan Museum of Art, New York, NY; Microsoft Corporation, Redmond, WA; Oak Park Public Library, Oak Park, IL; Saastamoinen Foundation, EMMA - Espoo Museum of Modern Art, Espoo, Finland; Tacoma Art Museum, Tacoma, WA; Tokiwabashi Tower Art Collection, Tokyo, Japan, and elsewhere.
The artist lives and works in Ossining, NY.
The Disappointment Engine by Jacob Hashimoto featured in Design Milk
We are thrilled to return to The Armory Show for the fair's 2023 edition at the Javits Center.
Jacob Hashimoto's site-specific installation, The Fractured Giant, is on view at the Boise Art Museum through January 2024.
Jaocb Hashimoto's installation This Particle of Dust is on view through December 2023 at the Tampa Museum of Art.
Jacob Hashimoto: Fractured Giants is on view through 21 January 2024 at the Boise Art Museum.
Miles McEnery Gallery is delighted to participate in the 2022 edition of The Armory Show. Presenting a selection of works by gallery artists, the exhibition includes Whitney Bedford, Jacob Hashimoto, Raffi Kalenderian, Fiona Rae, James Siena, and Patrick Wilson.
Miles McEnery Gallery is pleased to announce representation of Jacob Hashimoto.
Colossal editor Kate Mothes interviews Jacob Hashimoto.
designboom spoke with jacob hashimoto about how his upbringing has shaped his creative principles, the loss of materiality and traditional ways of making, and relying on the small things in life.
Victor Cassidy interviews Jacob Hashimoto for Sculpture Magazine.
Jacob Hashimoto is interviewed by Cassie Davies for Studio International.
