
Hot Stack, 2019, Acrylic on canvas, 86 x 70 inches, 218.4 x 177.8 cm, MMG#31712
Caterpillar, 2019, Acrylic on canvas, 21 x 27 inches, 53.3 x 68.6 cm, MMG#30795
Large Weather Event, 2018, Acrylic on canvas, 86 x 70 inches, 218.4 x 177.8 cm, MMG#30774
Caravan, 2019, Acrylic on canvas, 21 x 27 inches, 53.3 x 68.6 cm, MMG#31035
Titan, 2018, Acrylic on canvas, 86 x 70 inches, 218.4 x 177.8 cm, MMG#30773
Dead Red, 2018, Acrylic on canvas, 33 x 35 inches, 83.8 x 88.9 cm, MMG#30246
Big Drama, 2019, Acrylic on canvas, 86 x 70 inches, 218.4 x 177.8 cm, MMG#31032
Gatekeeper, 2018, Acrylic on canvas, 37 x 41 inches, 94 x 104.1 cm, MMG#30778
Catfish Hole, 2019, Acrylic on canvas, 67 x 72 inches, 170.2 x 182.9 cm, MMG#30791
Clam Dig, 2019, Acrylic on canvas, 67 x 72 inches, 170.2 x 182.9 cm, MMG#30792
Spin Rate, 2019, Acrylic on canvas, 21 x 27 inches, 53.3 x 68.6 cm, MMG#31361
The Future, 2019, Acrylic on canvas, 86 x 70 inches, 218.4 x 177.8 cm, MMG#31033
Garden Pleasure, 2019, Acrylic on canvas, 67 x 72 inches, 170.2 x 182.9 cm, MMG#30793
Helen's Place, 2019, Acrylic on canvas, 30 x 72 inches, 76.2 x 182.9 cm, MMG#31232
January Light, 2019, Acrylic on canvas, 21 x 27 inches, 53.3 x 68.6 cm, MMG#31034
Master Key, 2019, Acrylic on canvas, 67 x 72 inches, 170.2 x 182.9 cm, MMG#30794
Silver Lining, 2019, Acrylic on canvas, 67 x 72 inches, 170.2 x 182.9 cm, MMG#31037
Three Bars, Two Blocks, 2019, Acrylic on canvas, 21 x 27 inches, 53.3 x 68.6 cm, MMG#31362
Sonoma Coast, 2018, Acrylic on canvas, 66 x 57 inches, 167.6 x 144.8 cm, MMG#30440
Above Gray Lake, 2018, Acrylic on canvas, 35 x 80 inches, 88.9 x 203.2 cm, MMG#30108
Space Heater, 2018, Acrylic on canvas, 66 x 57 inches, 167.6 x 144.8 cm, MMG#30242
Road Trip, 2018, Acrylic on canvas, 35 x 80 inches, 88.9 x 203.2 cm, MMG#30111
Split Decision, 2018, Acrylic on canvas, 66 x 57 inches, 167.6 x 144.8 cm, MMG#30243
The Reunion, 2018, Acrylic on canvas, 33 x 35 inches, 83.8 x 88.9cm, MMG#30247
Triples Alley, 2018, Acrylic on canvas, 33 x 80 inches, 88.9 x 203.2 cm, MMG#30244
Gold Rush, 2018, Acrylic on canvas, 35 x 80 incges, 88.9 x 203.2 cm, MMG#30245
Side Door, 2018, Acrylic on canvas, 35 x 80 inches, 88.9 x 203.2 cm, MMG#30109
Bass Pro (Self Portrait), 2018, Acrylic on canvas, 35 x 80 inches, 88.9 x 203.2 cm, MMG#30110
Ghost Story, 2018, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9, MMG#30113
Small Weather Event, 2018, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#30112
Fieldwork, 2016, Acrylic on canvas, 70 x 86 inches, 177.8 x 218.4 cm, MMG#28643
Slice, 2016, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#28502
Build, 2016, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#28424
Draw, 2016, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#28425
Stack, 2016, Acrylic on canvas.22 x 22 inches, 55.9 x 55.9 cm, MMG#28503
Desert House (for Divola), 2016, Acrylic on canvas, 30 x 72 inches, 76.2 x 182.9 cm, MMG#28492
Rotate, 2016, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#28384
Garden House, 2016, Acrylic on canvas, 30 x 72 inches, 76.2 x 182.9 cm, MMG#28493
Cliff House, 2016, Acrylic on canvas, 30 x 72 inches, 76.2 x 182.9 cm, MMG#28491
Tansu, 2016, Acrylic on canvas, 59 x 49 inches, 149.9 x 124.5 cm, MMG#28485
At Sundown, 2016, Acrylic on canvas, 59 x 49 inches, 149.9 x 124.5 cm, MMG#28488
Martini, 2016, Acrylic on canvas, 59 x 49 inches, 149.9 x 124.5 cm, MMG#28486
On the Bay, 2016, Acrylic on canvas, 59 x 49 inches, 149.9 x 124.5 cm, MMG#28426
Sommelier, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28429
Diva, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28497
Dreamer, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28498
Chef, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28428
Daredevil, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28430
Philosopher, 2016, Acrylic on canvas, 86 x 39 inches, 218.4 x 99.1 cm, MMG#28499
Time, 2016, Acrylic on canvas, 70 x 86 inches, 177.8 x 218.4 cm, MMG#28642
Long Walk, 2016, Acrylic on canvas, 15 x 36 inches, 38.1 x 91.4 cm, MMG#28785
Music House (for Sonny Clark), 2016, Acrylic on canvas, 15 x 36 inches, 38.1 x 91.4 cm, MMG#28489
The Storm, 2016, Acrylic on canvas, 15 x 36 inches, 38.1 x 91.4 cm, MMG#28645
By The River, 2016, Acrylic on canvas, 15 x 36 inches, 38.1 x 91.4 cm, MMG#28774
The Calm, 2016, Acrylic on canvas, 15 x 36 inches, 38.1 x 91.4 cm, MMG#28644
Puente Hills, 2015, Acrylic on canvas, 27 x 21 inches, 68.6 x 53.3 cm, MMG#22476
Oyster Bar, 2015, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#22342
Beer Garden, 2015, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#22341
Berkeley, 2015, Acrylic on canvas, 72 x 67 inches, 182.9 x 170.2 cm, MMG#22340
Fog Scissors, 2015, Acrylic on canvas, 72 x 67 inches, 182.9 x 170.2 cm, MMG#22339
San Andreas, 2015, Acrylic on canvas, 27 x 21 inches, 68.6 x 53.3 cm, MMG#22474
Elysian Park, 2015, Acrylic on canvas, 41 x 37 inches, 104.1 x 94 cm, MMG#22601
Sierra Madre, 2015, Acrylic on canvas, 27 x 21 inches, 68.6 x 53.3 cm, MMG#22596
Crane, 2015, Acrylic on canvas, 33 x 35 inches, 83.8 x 88.9 cm, MMG#22598
Santa Monica, 2015, Acrylic on canvas, 27 x 21 inches, 68.6 x 53.3 cm, MMG#22597
Saguaro, 2015, Acrylic on canvas, 33 x 35 inches, 83.8 x 88.9 cm, MMG#22599
Green Dream, 2014, Acrylic on canvas, 22 x 22 inches, 55.9 x 55.9 cm, MMG#22335
Farewell My Lovely, 2005, Acrylic on canvas, 88 1/2 x 77 inches, 224.8 x 195.6 cm, MMG#29217
Patrick Wilson Studio, 2011, Los Angeles, CA
PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995.
He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C.
Recent group exhibitions include “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road: American Abstraction,” David Klein Gallery, Detroit, MI; “Geometrix: Line, Form, Subversion,” Curator’s Office, Washington, D. C. ; “NO W-ISM: Abstraction Today.” Pizzuti Collection, Columbus, OH; “California Visual Music – Three Generations of Abstraction,” Guggenheim Gallery, Chapman University, Orange, CA; “Local Color,” San Jose Museum of Art, San Jose, CA; 2010 California Biennial, Orange County Museum of Art, Newport Beach, CA; “Keeping it Straight: Right Angles and Hard Edges in Contemporary Southern California,” Riverside Art Museum, Riverside, CA; and “Gyroscope,” Hirshhorn Museum and Sculpture Garden, Washington, DC.
His work is included in many public and private collections including the Achenbach Collection, Fine Art Museums of San Francisco, CA; Columbus Museum of Art, Columbus, OH; Crocker Art Museum, Sacramento, CA; Elmhurst Art Museum, Elmhurst, IL; Frederick R. Weisman Art Museum, Minneapolis, MN; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Long Beach Museum of Art, Long Beach, CA; Los Angeles County Museum of Art, Los Angeles, CA; Minnesota; Museum of American Art, Saint Paul, MN; Minneapolis Institute of Art, Minneapolis, MN; North Dakota Museum of Art, Grand Forks, ND; Orange County Museum of Art, Newport Beach, CA; Pizzuti Collection, Columbus, OH; Phyllis and Ross Escalette Permanent Collection of Art, Chapman University, Orange, CA; San Jose Museum of Art, San Jose, CA; University Art Museum, California State University, Long Beach, CA
Patrick Wilson currently lives and works in Los Angeles, CA.
MILES MCENERY GALLERY is delighted to present “The Responsive Eye Revisited: Then, Now, and In-Between” at the 2019 edition of Art Basel Miami Beach. Previewing on 4 December, and opening to the public on 5 December, the fair will run through 8 December at the Miami Beach Convention Center in Miami Beach, Florida. The exhibition is accompanied by a fully illustrated publication, featuring an essay by David Pagel. Pagel is an art critic who writes regularly for the Los Angeles Times as well as a Professor of Art Theory at Claremont Graduate University and an adjunct curator at the Parrish Art Museum.
Opening the fall art season each September, EXPO CHICAGO hosts leading international art galleries presented alongside one of the highest quality platforms for global contemporary art and culture.
We are delighted to be participating in the 2019 edition of Expo Chicago, presenting a selection of works by artists Tomory Dodge, Inka Essenhigh, Beverly Fishman, Warren Isensee, Raffi Kalenderian, Patrick Lee, Markus Linnenbrink, Ryan McGinness, Michael Reafsnyder, Daniel Rich, John Sonsini, and Patrick Wilson.
Booth #267, 19 – 22 September.
Susanne Vielmetter Los Angeles Projects is pleased to announce the gallery’s eighth solo exhibition of new work by Patrick Wilson.
Patrick Wilson’s intensely colorful canvases are populated by hard-edged, quadrilateral planes in varying opacities, layered and cantilevered in carefully finessed compositions. His new works reflect an increasingly energetic complexity that Lilly Wei has described in a recent essay as “breathtaking and nuanced, the juxtapositions [between colors] often quirky and unpredictable.”
OCMA has always championed artistic experimentation and innovation through a commitment to showing and collecting the work of dynamic and groundbreaking emerging artists. This installation will reveal how impactful OCMA has been in supporting the careers of some of the most influential artists from this region, often at pivotal moments in their careers.
Patrick Wilson’s paintings—a number of which are now on view at Ameringer | McEnery | Yohe in New York—benefit from a slow, prolonged, and introspective viewing. Precise compositions of squares and a considered rhythm of colors beckon the viewer past the painting’s surface and into a space that grows more and more palpable. Like some of life’s greatest pleasures, the appeal is visceral: “I want the paintings to be seductive like a really good meal and really good wine,” he recently told Artsy.
Ameringer | McEnery | Yohe and Artsy held a private preview and walk-through of Patrick Wilson's exhibition, 28 May - 3 July 2015, with the artist.
A Lesson in Geometry By Jean Cohen
Listen to Patrick Wilson, see his new paintings in Chelsea (at Ameringer | McEnery | Yohe) and take away some art history. What Wilson has done for 20 years—works of elegant color, flatness and right angles—may seem, at first, the offspring of other art born out of geometry since the mid-20th century. But paintings by Wilson look like no one else's.
In the paintings of Los Angeles-based artist Patrick Wilson, layered squares of color attain unbelievable levels of transparency and rich density. Wilson uses humble tools: he applies acrylic paint with a drywall knife or house paint roller to geometric areas of canvas edged by masking tape. Yet, in both large-scale canvases and smaller works on panel, the works’ spatial constraints seem only to distill and enhance the pigment.
Building on the rich tradition of geometric abstraction, three one-person exhibitions take the visual language of line, form, and color in compelling directions. In the first part of the 20th century, artists such as Wassily Kandinksky (1866-1944), Kasimir Malevich (1878-1935), and Piet Mondrian (1872-1944) explored a vocabulary of simple geometric forms—rectangles, triangles, squares, and line—in abstract compositions that addressed universal truths and utopian ideas. This tradition, carried forth, expanded, and transformed over the course of the 20th century, continues into the present with innovative approaches to the genre by:
If Patrick Wilson tossed a pebble into a pond, the ripples that emanated from it would probably take the shape of perfectly formed squares or nicely proportioned rectangles. That is the image his exhibition, “Steak Night,” leaves the viewer: an impossible change to the laws of nature that brings you face to face with a world more beautiful that the real one.
Susanne Vielmetter Los Angeles Projects is pleased to announce the gallery's sixth solo exhibition for new work by Patrick Wilson. Wilson is known for creating finely calibrated, luminous abstract paintings composed of lines and quadrilaterals. He uses a simple and straightforward medium, paint on canvas, to build a richly layered composition of complex spatial dynamics.
University Art Museum (UAM) at California State University Long Beach will present twelve radiant new and recent geometric abstract paintings in Patrick Wilson: Pull. Wilson’s intricately layered compositions wed glowing color fields to structured shapes. Transparent squares, rectangles and narrow lines of acrylic paint draw the viewer into the pulsating depths of his fresh artworks. Three works on paper from the 2008 series, Suite for Mount Washington, will also be included in the exhibition. These gouache serigraphs, made under the master printer Christian Zickler, directly influenced the complex visual syntax that presently informs his current painting practice.
Local Color is drawn from the San Jose Museum of Art's permanent collection and explores the privacy of color in a range of works. This exhibition encourages viewers to look at color as content and features the work of Josef Albers, Fletcher Benton, Ellen Carey, Mary Corse, Tony DeLap, Sam Francis, Sonia Gechtoff, James Hayward, Paul Jenkins, Amy Kaufman, Markus Linnenbrink, Nathan Oliveira, Raimonds Strapans, Amy Trachtenberg and Patrick Wilson, among others. click here : www.sjmusart.org
Los Angeles painter Patrick Wilson presents a magnificent new body of his brilliantly constructed, abstract acrylic on canvas paintings in his highly anticipated third solo exhibition Slow Motion Action Painting at Marx & Zavattero, June 2 - July 14, 2012. Wilson’s paintings are conceived with the ideas of beauty and pleasure at the forefront. As the title of the exhibition suggests, Wilson is inviting his viewers to enter the gallery, and then consciously slow down in order to actively experience his work in the same manner in which it was created.
Complicating things does not necessarily enrich them. But the newly complex work of Los Angeles painter Patrick Wilson at Marx & Zavattero extends the range of subtlety and ambiguity that has always given his art substance.
Patrick Wilson is on a self-professed quest for beauty in the realm of color and form. His search takes him back to 20th-century abstract colorists and reaches forward into contemporary, technology-dominated, urban life. Such rigorous study of color relationships, careful observation of artificial and natural light, and references to technological motifs yield complex and sublime results.
Susanne Vielmetter Los Angeles Projects is pleased to announce a solo exhibition of new paintings by Los Angeles based artist Patrick Wilson in galleries 3 and 4. On view will be a range of new paintings in which Wilson continues to translate color and light into luminous and flawlessly calibrated abstractions. Wilson's technique is straightforward - using drywall blades, rollers and masking tape he moves color around in controlled areas. The resulting compositions are elaborately layered squares, rectangles and lines of stunning color and radiance. Alternating between surfaces where the paint has been rolled on and where translucent layers are being pulled repeatedly over the surface, Wilson crates a spectacle of great beauty, in which the painting alternately offers resistance to the eye or pulls the viewer into glowing fields of brilliant depth.
Modernism's grandest break with art history was not its pursuit of the minimal but its abandonment of technical virtuosity. Wilson remains the most ambitious, dextrous and mind-bogglingly precise painter working in abstraction in many years... maybe ever. If you never imagined a mesmerized audience staring at a descendent of Malevich with the "how does he do it" look in their eyes usually reserved for photorealists, get down and see this nearly sold-out show.click here : www.huffingtonpost.com
The fall art season is in full swing, and there is an overwhelming amount of painting on display at galleries throughout the United States. I expanded my usual Must See list from ten to twelve exhibitions, but I could have easily selected more. As always, I primarily focused on emerging artists, although more established figures such as Susan Rothenberg and Lari Pittman are on the list with impressive new bodies of work.