We are thrilled to return to The Armory Show for the fair's 2024 edition at the Javits Center.
We are thrilled to return to The Armory Show for the fair's 2023 edition at the Javits Center.
Paul Laster features our booth in his coverage of Intersect Aspen Art Fair.
Miles McEnery Gallery is pleased to exhibit at the 2023 edition of Taipei Dangdai. Presenting a three-person booth, the exhibition features works by Tomory Dodge, Beverly Fishman, and Raffi Kalenderian.
Miles McEnery Gallery is delighted to present an exhibition of works by gallery artists at the 2023 edition of EXPO CHICAGO.
Works by Rico Gatson are on view throughout Chicago as part of EXPO CHICAGO's OVERRIDE | A Billboard Project.
Miles McEnery Gallery is delighted to participate in the 2022 edition of The Armory Show. Presenting a selection of works by gallery artists, the exhibition includes Whitney Bedford, Jacob Hashimoto, Raffi Kalenderian, Fiona Rae, James Siena, and Patrick Wilson.
More than a year after the realities of the COVID-19 pandemic set in and art fairs around the world canceled their plans for the foreseeable future, Chicago’s EXPO fair is holding its 2021 edition online, rescheduled from the fair’s usual in-person time slot in September. This year’s edition, known as EXPO CHGO ONLINE, gathers presentations from more than 80 U.S. and international galleries showcasing both contemporary upstarts and well-known figures working in painting, sculpture, fiber art, and much more.
EXPO CHGO ONLINE, organised by EXPO CHICAGO, The International Exposition of Contemporary & Modern Art, is a curated digital exposition featuring 81 galleries, running between 8 and 12 April 2021. Ocula Magazine selects six artwork highlights.
Interior Design features Beverly Fishman's work in the Miles McEnery Gallery Booth at ZONAMACO as a highlight of the fair.
Exhibitors from 26 countries participated in the 2020 edition of ZONAMACO—Latin America’s leading art platform—in Mexico City, from February 5-6. This year, spatial design studio Tom Postma Design from the Netherlands and Mexican architecture, interior, and graphic design firm Salinas Lasheras were in charge of creating the restaurants and lounge areas.
The inaugural edition was a surprisingly big success. As year two kicks off, here's what to look for.
Last year, the fledgling new art fair Taipei Dangdai: Art & Ideas made mincemeat of the commonly held belief that it takes a fair a few years to build a solid art world following. The inaugural edition turned out big-name blue-chip galleries, famed global collectors (and Chinese movie stars), and, most importantly, robust sales. Oh, and yes, the fair even had its very own giant inflatable KAWS sculpture to draw in the crowds.
We look forward to presenting ten new paintings by Ryan McGinness at the 2020 edition of Taipei Dangdai, running 16 through 19 January in Taiwan.
Ambitiously composed and relentlessly innovative, McGinness's "Taipei Dangdai" paintings seek to explore and evoke the culture and history of Taiwan.
A color explosion is on view at Miles McEnery’s booth, where the Chelsea-based gallery has brought a wide spectrum of pigment-heavy offerings. The German Markus Linnenbrink’s horizontally situated work is dappled with tiny pools of colored rings, mesmerizing and impressive in its formal qualities. A highlight of the gallery’s display is Tomory Dodge’s Figment, a prime example of the artist’s ability to distill photographs into purely abstract gestures that evoke the pigmentation of colorists like Joan Mitchell and Gerhard Richter, with a frenetic dynamism that is completely his own.
Call your Milton Avery–loving friends and grab a plane, train, or automobile to Miami. (If you don’t have any, just grab some friends and do the same: it’s time to make converts.) The late, great painter and once-in-a-generation colorist, who died in 1965 at the age of 79, is one of the stars of this year’s edition of Art Basel Miami Beach. No fewer than five galleries are presenting his works at the fair, where at least 10 works by the severely underrated American painter are hanging at the moment.
Galleries, Booth G5
With works by Milton Avery, Helen Frankenthaler, Hans Hofmann, Alex Katz, Robert Motherwell, Willem de Kooning
Donald Taglialatella is pleased to announce that on Friday, 27 October, from 1 to 3pm, he will host a happening at his World House Editions stand, #102, at the IFPDA Print Fair in New York City. Dubbed The ARTpin Project and curated by painter and video animation artist, Brian Alfred, artists EJ Hauser (American, b.1967), Nathan Carter (American, b.1970) and Brian Alfred (American, b.1974) have each offered artwork for two limited edition pins and will be on hand at the World House Editions stand to give away these pins created for The Print Fair. This project is the first in a series of ARTpin projects that World House Editions will be collaborating on with artists.
Screening animations at the Dallas Art Fair organized by Gretchen L. Wagner, Artistic Director and Chief Curator, Oklahoma Contemporary and Marfa Contemporary.
Participating artists include Brian Alfred, JJ Peet, Raphael Montanez Ortiz, Tomislav Gotovac, Desiree Holman, Sundblad/ Granat Films and Pul Kos, among others.
There’s a lot of product going on here,” I heard a woman say into her cell phone at the mega-art fair Art Basel Miami Beach 2014.
Still, even in the context of the vast amount of money changing hands at the Miami Beach Convention Center, where the main fair is taking place, there are pockets of resistantly antimaterialist art, and outside its walls some performance and film are to be found.
Some of the films were made available to me for advance viewing, and among them were many worth watching. Tabor Robak’s 20XX (2013) (Team Gallery) features a lush, unthreatening cityscape overrun by neon and Klieg lights and advertisements for media and game brands on the fantasy buildings. The resurgent Babette Mangolte’s Water Motor (1978) (Broadway 1602/Sikkema Jenkins) elegantly documents Trisha Brown’s loose-limbed dancing, with a seductive repetition of the sequence in slow motion. Leo Gabin’s Oh Baby (2013) (Elizabeth Dee/Peres Projects) is a low-tech, low-production value music video with some fun editing choices. Brian Alfred’s Under Thunder and Fluorescent Lights (2104) (Ameringer McEnery Yohe) is an animation involving allusions to landscape and architecture and a mutating, colored sun.
Selected by David Gryn, Director of Artprojx, the Film sector includes over 80 works by some of today's most exciting artists from Latin America, the United States, Europe, Asia and beyond.
Film presents works in both the outdoor setting of New World Center's SoundScape Park and on six touch-screen monitors within the newly designed Film Library at Art Basel's show.
Many of the artists I have selected are ones whom I already collect and admire. When I look at works to buy, I approach them with an open mind and go with instinct. Buy what you love and can’t live without!
EXPO Projects IN/SITU provides exhibiting galleries the opportunity to showcase large-scale installations and site-specific works by leading artists during EXPO CHICAGO. Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.
Curated by Li Zhenhua, director and founder of Beijing Art Lab, the Film sector presents an exciting program of films by and about artists.
Screenings take place in the agnès b. cinema at the Hong Kong Arts Centre.
Art Basel presents a premier program of films by and about artists, selected by David Gryn, Director of London's Artprojx, and Zurich collector This Brunner. Gryn's 2013 program presents over 70 film and video works drawn from the show's participating galleries.
The third edition of David Gryn's selection for Art Basel's Miami Beach show explores the collaborative creative process via intersections between visual artists, composers, musicians, choreographers, dancers, and animators.
“Abstract Expressionist Robert Motherwell had a lifelong obsession with Irish novelist James Joyce. In 1948, Motherwell painted The Homely Protestant after opening a copy of Joyce’s “Finnegans Wake” and randomly placing his finger on a page to select the title for the painting.
